Song of Solomon 7:6

7:1-9 The similitudes here are different from what they were before, and in the original refer to glorious and splendid clothing. Such honour have all his saints; and having put on Christ, they are distinguished by their beautiful and glorious apparel. They adorn the doctrine of God their Saviour in all things. Consistent believers honour Christ, recommend the gospel, and convince and awaken sinners. The church resembles the stately and spreading palm; while her love for Christ, and the obedience resulting therefrom, are precious fruit of the true Vine. The King is held in the galleries. Christ takes delight in the assemblies and ordinances of his people; and admires the fruit of his grace in them. When applied to the church and to each faithful Christian, all this denotes that beauty of holiness, in which they shall be presented to their heavenly Bridegroom.

How fair and how pleasant art thou, O love, for delights! These are the words of the King in the galleries, wondering at the church's beauty, it being incomparable and inexpressible, it could not be said well how great it was; and expressing the strength of his love to her, which was invariably the same as ever. Of the "fairness" of the church, and of this title, "love", see Sol 1:9; and here she is said also to be "pleasant" to him, as his spouse and bride, in whom he takes infinite delight and pleasure, loving her with a love of complacency and delight; and therefore adds, "for delights", which he had in her before the world was, Proverbs 8:31 . She was all delight (g) to him; her words, her actions and gestures, her comely countenance, her sweet and pleasant voice in prayer and praise, her ravishing looks of faith and love, her heavenly airs, and evangelic walk; in all which she appeared beautiful and delightful, beyond all human thought and expression. (g) "Meae deliciae", Plauti Stichus, Acts 5. Sc. 5.

How fair and how pleasant art thou? it were infinite to reckon up all the particulars of thy beauty; in one word, thou art universally amiable beyond expression. For delights; for those various lovely features which are in thee, and for the great and manifold delights which are or may be enjoyed in conversing with thee.

6 . for delights ] Better, among delights , i.e. how surpassingly delightful is love above all other pleasures of life. The word translated delights does not necessarily, or even generally, mean sensuous delights, as some say. Cp. Proverbs 19:10 ; Micah 1:16 ; Micah 2:9 . This sudden turn to the praise of love, not the beloved, is abrupt, but it has frequent parallels in the love poetry of the East, cp. the ode written out for Wetzstein at Kenakir. (Cp. his Essay on the Threshing-Board, loc. cit .) That the Heb. verb yâphâh may be used of love in this abstract sense may be inferred from Ezekiel 28:7 , where the noun of this root is used in a similar abstract way in the phrase, “the beauty of thy wisdom.”

Verses 6-9. - ( Song of the bridegroom rejoicing over the bride. ) How fair and how pleasant art thou, O love, for delights! This thy stature is like to a palm tree, and thy breasts to clusters of grapes. I said, I will climb up into the palm tree, I will take hold of the branches thereof: let thy breasts be as clusters of the vine, and the smell of thy breath like apples; and thy mouth like the best wine, that goeth down smoothly for my beloved, gliding through the lips of them that are asleep. The abstract "love" is plainly here used for the concrete, "O loved one." It is just possible that the meaning may be - How delightful is the enjoyment of love! but the bodily description which follows suggests that the words are addressed directly to Shulamith. We certainly have in 1 Corinthians 13 , an apostolic apostrophe to love, which Delitzsch calls the Apostle Paul's spiritual song of songs. But it would be somewhat irrelevant here. The king is deeply moved as he watches the beautiful figure before him, and delights in the thought that so lovely a creature is his own. The rapture which he pours out may be taken either as a recollection of how he was captivated in the past, or the past may be used for the present, as it frequently is in Hebrew. The meaning is the same in both cases. The palm tree may be selected on account of its elegance, but it is commonly employed in Eastern poetry as the emblem of love. The mystical writers use it to denote the Divine manifestation.

The comparison of the breasts to clusters of grapes is quite natural, but no doubt reference is intended to the fruit as luscious and refreshing. Both the palm and the vine in the East are remarkable for the abundance and beauty of their fruits. In the case of the palm - "dark brown or golden-yellow clusters, which crown the summit of the stem and impart a wonderful beauty to the tree, especially when seen in the evening twilight." The palm and the vine are both employed in Scripture in close connection with the Church. "The righteous shall flourish as the palm tree;" "The vine brought out of Egypt" (Ps Psalm 80 .), and the "vineyard of the beloved" ( Isaiah 5 .), and the "true vine," to which the Lord Jesus Christ compares himself, remind us that the illustration was perfectly familiar among the Jews; and we can scarcely doubt that the reference in this case would be understood. The Lord delighteth in those "fruits of righteousness" which come forth from the life and love of his people. They are the true adornment of the Church. The people of God are never so beautiful in the eyes of their Saviour as when they are covered with gifts and graces in their active expression in the world. Then it is that he himself fills his Church with his presence. The ninth verse is somewhat difficult to explain. The words are no doubt still in the lips of the king. There is no change of speaker until ver. 10, when Shulamith replies to the king's adoring address.

6 How beautiful art thou, and how charming, O love, among delights! It is a truth of all-embracing application which is here expressed. There is nothing more admirable than love, i.e., the uniting or mingling together of two lives, the one of which gives itself to the other, and so finds the complement of itself; nor than this self-devotion, which is at the same time self-enrichment. All this is true of earthly love, of which Walther v. d. Vogelweide says: "minne ist sweier herzen wnne" love is the joy of two hearts, and it is true also of heavenly love; the former surpasses all earthly delights (also such as are purely sensuous, Ecclesiastes 2:8), and the latter is, as the apostle expresses himself in his spiritual "Song of Songs," 1 Corinthians 13:13, in relation to faith and hope, "greater than these," greater than both of them, for it is their sacred, eternal aim. In יפית it is indicated that the idea, and in נעמתּ that the eudaemonistic feature of the human soul attains its satisfaction in love. The lxx, obliterating this so true and beautiful a promotion of love above all other joys, translate ἐν ταῖς τρυφαῖς σου (in the enjoyment which thou impartest). The Syr., Jerome, and others also rob the Song of this its point of light and of elevation, by reading אהמה O beloved! instead of אהבה.

The words then declare (yet contrary to the spirit of the Hebrew language, which knows neither אהוּמה nor אהוּמתי as vocat.) what we already read at Sol 4:10; while, according to the traditional form of the text, they are the prelude of the love-song, to love as such, which is continued in Sol 8:6.