Song of Solomon 5:14

5:9-16 Even those who have little acquaintance with Christ, cannot but see amiable beauty in others who bear his image. There are hopes of those who begin to inquire concerning Christ and his perfections. Christians, who are well acquainted with Christ themselves, should do all they can to make others know something of him. Divine glory makes him truly lovely in the eyes of all who are enlightened to discern spiritual things. He is white in the spotless innocence of his life, ruddy in the bleeding sufferings he went through at his death. This description of the person of the Beloved, would form, in the figurative language of those times, a portrait of beauty of person and of grace of manners; but the aptness of some of the allusions may not appear to us. He shall come to be glorified in his saints, and to be admired in all that believe. May his love constrain us to live to his glory.

Song of Solomon 5:14-16 . His hands as gold rings set with beryl — Beautiful and precious, and richly adorned, as it were, with gold rings set with precious stones; his belly as bright ivory — Which seems to be here used for the whole body, reaching from the neck to the bottom of the belly; overlaid with sapphires — Of a pure and bright white colour, intermixed with blue veins; for some sapphires are of a bright blue colour. His legs as pillars of marble — White, and straight, and well shaped, and strong; set upon sockets of fine gold — His feet are compared to gold, for their singular brightness, for which they are compared to fine brass, Revelation 1:15 ; his countenance — Hebrew, his aspect or appearance, his form or person; is as Lebanon, &c. — In respect of its cedars, tall, and upright, and stately. He is altogether lovely — Not to run out into more particulars. This is my beloved, O ye daughters, &c. — And therefore you have no cause to wonder if I am transported with love to so excellent a personage.

(14) His hands . . .—Galil, translated ring , is more probably a cylinder (from galal, to roll), referring to the rounded arm, ending in a well-shaped hand with beautiful nails. Beryl.—Heb. tarshish; LXX. θαρσις. Possibly “stones of Tarshish,” and if so, either chrysolite or topaz, both said to have been first found in Tartessus, an ancient city of Spain, between the two mouths of the Bœtis (Guadalquiver). Mentioned as one of the precious stones in the breastplate of the High Priest (Exodus 28:20; Exodus 39:13). The LXX. adopt the various renderings χρυσολίθο =ς, ἄνθραξ, λίθος ἄνθρακος, or, as here, keep the original word. Bright ivory.—Literally, a work of ivory, i.e., a chef-d’œuvre in ivory. Sapphires.—It is doubtful whether the sapphire of Scripture is the stone so called now, or the lapis-lazuli. The former best suits Exodus 28:18 and Job 28:6, because lapis-lazuli is too soft for engraving. The comparison in the text either alludes to the blue veins showing through the white skin or to the colour of some portion of dress.

His hands ... - Are golden rings or cylinders. The fingers of the bent or closed hand are compared to a massive ring or set of rings; or, if outstretched or straightened, to a row of golden rods or cylinders. The beryl - The "tarshish" (compare Exodus 28:20), probably the chrysolite of the ancients (so called from its gold color), the modern topaz. His belly ... - His body (the Hebrew term applies to the whole body, from the shoulders to the thighs) is a piece of ivory workmanship overlaid with sapphires. The sapphire of the ancients seems to have been the lapis lazuli.

His hands; the instruments of action and of distribution, which may design the actions of Christ, and particularly his distributing gifts and graces to his members. As gold rings set with the beryl; beautiful and precious, and richly adorned, as it were with gold rings set with precious stones. His belly; which seems to be here used, either, 1. Metonymically for the bowels, which are contained in the belly. Or rather, 2. Synecdochically, for the whole body, reaching from the neck, to the bottom of the belly, which is distinguished from the face and the joints, which are described in the other clauses. For he speaks here of those parts which are visible to the eye. And thus here is a complete description of Christ’s beauty in all parts, from his head to his feet. As bright ivory overlaid with sapphires; of a pure and bright white colour, intermixed with blue veins; for some sapphires are of a bright blue colour.

14. rings set with … beryl—Hebrew, Tarshish, so called from the city. The ancient chrysolite, gold in color (Septuagint), our topaz, one of the stones on the high priest's breastplate, also in the foundation of New Jerusalem (Re 21:19, 20; also Da 10:6). "Are as," is plainly to be supplied, see in So 5:13 a similiar ellipsis; not as Moody Stuart: "have gold rings." The hands bent in are compared to beautiful rings, in which beryl is set, as the nails are in the fingers. Burrowes explains the rings as cylinders used as signets, such as are found in Nineveh, and which resemble fingers. A ring is the token of sonship (Lu 15:22). A slave was not allowed to wear a gold ring. He imparts His sonship and freedom to us (Ga 4:7); also of authority (Ge 41:42; compare Joh 6:27).

He seals us in the name of God with His signet (Re 7:2-4), compare below, So 8:6, where she desires to be herself a signet-ring on His arms; so "graven on the palms," &c., that is, on the signet-ring in His hand (Isa 49:16; contrast Hag 2:23, with Jer 22:24). belly—Burrowes and Moody Stuart translate, "body." Newton, as it is elsewhere, "bowels"; namely, His compassion (Ps 22:14; Isa 63:15; Jer 31:20; Ho 11:8). bright—literally, "elaborately wrought so as to shine," so His "prepared" body (Heb 10:5); the "ivory palace" of the king (Ps 45:8); spotless, pure, so the bride's "neck is as to tower of ivory" (So 7:4). sapphires—spangling in the girdle around Him (Da 10:5). "To the pure all things are pure." As in statuary to the artist the partly undraped figure is suggestive only of beauty, free from indelicacy, so to the saint the personal excellencies of Jesus Christ, typified under the ideal of the noblest human form. As, however, the bride and bridegroom are in public, the usual robes on the person, richly ornamented, are presupposed (Isa 11:5). Sapphires indicate His heavenly nature (so Joh 3:13, "is in heaven"), even in His humiliation, overlaying or cast "over" His ivory human body (Ex 24:10). Sky-blue in color, the height and depth of the love of Jesus Christ (Eph 3:18).

14 . gold rings ] Rather, cylinders of gold . In Esther 1:6 , which is the only place in the O.T. besides this where the word occurs in a similar sense, it probably means ‘rods’ or ‘cylinders.’ Here it refers to the delicately rounded fingers forming the hand. set ] Cp. Exodus 28:17 . the beryl ] Better, chrysolite , i.e. topaz (R.V. marg.). His finger-nails are compared to transparent pink chrysolite. his belly ] R.V. rightly, his body . This is a piece of ivory work . Budde suggests a sheet of ivory. overlaid with sapphires ] R.V. margin, encrusted . What is meant is that his body was as beautiful as a piece of ivory work studded with sapphires. This is the only part of this description which might appear unmaidenly, but understood as above, it is quite compatible with the situation as supposed. Song of Solomon 5:14

14a His hands golden cylinders, Filled in with stones of Tarshish. The figure, according to Gesen., Heb. Wrterbuch, and literally also Heilgst., is derived from the closed hand, and the stained nails are compared to precious stones. both statements are incorrect; for (1) although it is true that then Israelitish women, as at the present day Egyptian and Arabian women, stained their eyes with stibium (vid., under Isaiah 54:11), yet it is nowhere shown that they, and particularly men, stained the nails of their feet and their toes with the orange-yellow of the Alhenna (Lane's Egypt, I-33-35); and (2) the word used is not כּפּיו, but ידיו; it is thus the outstretched hands that are meant; and only these, not the closed fist, could be compared to "lilies," for גּליל signifies not a ring (Cocc., Dpke, Bttch., etc.), but that which is rolled up, a roller, cylinder (Esther 1:6), from גּלל, which properly means not κυκλοῦν (Venet., after Gebhardt: κεκυκλωμέναι), but κυλίνδειν. The hands thus are meant in respect of the fingers, which on account of their noble and fine form, their full, round, fleshy mould, are compared to bars of gold formed like rollers, garnished (ממלּאים, like מלּא, Exodus 28:17) with stones of Tarshish, to which the nails are likened.

The transparent horn-plates of the nails, with the lunula, the white segment of a circle at their roots, are certainly, when they are beautiful, an ornament to the hand, and, without our needing to think of their being stained, are worthily compared to the gold-yellow topaz. Tarshish is not the onyx, which derives its Heb. name שׁהם from its likeness to the finger-nail, but the χρυσόλιθος, by which the word in this passage before us is translated by the Quinta and the Sexta, and elsewhere also by the lxx and Aquila. But the chrysolite is the precious stone which is now called the topaz. It receives the name Tarshish from Spain, the place where it was found. Pliny, xxxviii. 42, describes it as aureo fulgore tralucens. Bredow erroneously interprets Tarshish of amber. There is a kind of chrysolite, indeed, which is called chryselectron, because in colorem electri declinans. The comparison of the nails to such a precious stone (Luther, influenced by the consonance, and apparently warranted by the plena hyacinthis of the Vulg., has substituted golden rings, vol Trkissen, whose blue-green colour is not suitable here), in spite of Hengst., who finds it insipid, is as true to nature as it is tender and pleasing. The description now proceeds from the uncovered to the covered parts of his body, the whiteness of which is compared to ivory and marble. 14b His body an ivory work of art, Covered with sapphires.