Song of Solomon 2:16

2:14-17 The church is Christ's dove; she returns to him, as her Noah. Christ is the Rock, in whom alone she can think herself safe, and find herself easy, as a dove in the hole of a rock, when struck at by the birds of prey. Christ calls her to come boldly to the throne of grace, having a great High Priest there, to tell what her request is. Speak freely, fear not a slight or a repulse. The voice of prayer is sweet and acceptable to God; those who are sanctified have the best comeliness. The first risings of sinful thoughts and desires, the beginnings of trifling pursuits which waste the time, trifling visits, small departures from truth, whatever would admit some conformity to the world; all these, and many more, are little foxes which must be removed. This is a charge to believers to mortify their sinful appetites and passions, which are as little foxes, that destroy their graces and comforts, and crush good beginnings. Whatever we find a hinderance to us in that which is good, we must put away. He feedeth among the lilies; this shows Christ's gracious presence among believers. He is kind to all his people. It becomes them to believe this, when under desertion and absence, and so to ward off temptations. The shadows of the Jewish dispensation were dispelled by the dawning of the gospel day. And a day of comfort will come after a night of desertion. Come over the mountains of Bether, the mountains that divide, looking forward to that day of light and love.

Song of Solomon 2:16 . My beloved is mine — These are the words of the bride, who, having come to him upon his gracious invitation, now maketh her boast of him. He feedeth among the lilies — Abideth and refresheth himself among his faithful people, who are compared to lilies, Song of Solomon 2:2 .

My Beloved is mine, and I am his: these are the words of the bride, who having come to him upon his gracious invitation, now maketh her boast of him, and of that intimate union and communion which was between them. He feedeth among the lilies; either, 1. He feedeth his flock in sweet and lovely pastures, where there is not only herbage to feed them, but lilies to delight them. Or rather, 2. He feedeth himself, i.e. he abideth and refresheth himself amongst his faithful people, which are compared to lilies, above, Song of Solomon 2:2 , and Hosea 14:5 , as Christ also is here, Song of Solomon 2:1 .

16. mine … his—rather, "is for me … for Him" (Ho 3:3), where, as here, there is the assurance of indissoluble union, in spite of temporary absence. So 2:17, entreating Him to return, shows that He has gone, perhaps through her want of guarding against the "little sins" (So 2:15). The order of the clauses is reversed in So 6:3, when she is riper in faith: there she rests more on her being His; here, on His being hers; and no doubt her sense of love to Him is a pledge that she is His (Joh 14:21, 23; 1Co 8:3); this is her consolation in His withdrawal now. I am his—by creation (Ps 100:3), by redemption (Joh 17:10; Ro 14:8; 1Co 6:19). feedeth—as a "roe," or gazelle (So 2:17); instinct is sure to lead him back to his feeding ground, where the lilies abound. So Jesus Christ, though now withdrawn, the bride feels sure will return to His favorite resting-place (So 7:10; Ps 132:14). So hereafter (Re 21:3). Ps 45:1, title, terms his lovely bride's "lilies" [Hengstenberg] pure and white, though among thorns (So 2:2).

16 . This verse is addressed by the bride to her companions within the house, or is spoken in a loving rapture to herself. Some however think that it is sung to the lover. he feedeth among the lilies ] Rather, as in R.V., He feedeth his flock among the lilies . It may also be rendered, the shepherd among the lilies , the shepherd standing in apposition to the ‘him’ involved in ‘his.’

Verse 16. - My beloved is mine, and I am his; he feedeth ( his flock ) among the lilies. These are the words of the bride. The latter clause is repeated in Song of Solomon 6:2 , with the addition, "in the gardens," and it is evident that Solomon is lovingly regarded as a shepherd, because Shulamith delights to think of him as fully sympathizing with her simple country life. She idealizes. The words may be taken as either the response given at the time by the maiden to the invitation of her lover to come forth into the vineyards, or as the breathing of love as she lies in the arms of Solomon. Lilies are the emblem of purity, lofty elevation above that which is common. Moreover, the lily stalk is the symbol of the life of regeneration among the mystical mediaevalists. Mary the Virgin, the Rosa mystica , in ancient paintings is represented with a lily in her hand at the Annunciation. The people of God were called by the Jewish priests "a people of lilies." So Mary was the lily of lilies in the lily community; the sanctissima in the communio sanctorum. There may be an allusion to the lily forms around Solomon in his palace - the daughters of Jerusalem; in that ease the words must be taken as spoken, not in remembrance of the first love, but in present joy in Solomon's embrace.

Some would render the words as simply praise of Solomon himself, "who, wherever he abides, spreads radiancy and loveliness about him," or "in whose footsteps roses and lilies ever bloom." At least, they are expressive of entire self-surrender and delight. She herself is a lily, and the beloved one feeds upon her beauty, purity, and perfection. Song of Solomon 2:16

There now follows a cantiuncula. Shulamith comes forward, and, singing, salutes her beloved. Their love shall celebrate a new spring. Thus she wishes everything removed, or rendered harmless, that would disturb the peace of this love: 15 Catch us the foxes, the little foxes, The spoilers of the vineyards; For our vineyards are in bloom! 16 My beloved is mine, and I am his; Who feeds his flock among the lilies. If the king is now, on this visit of the beloved, engaged in hunting, the call: "Catch us," etc., if it is directed at all to any definite persons, is addressed to those who follow him. But this is a vine-dresser's ditty, in accord with Shulamith's experience as the keeper of a vineyard, which, in a figure, aims at her love-relation. The vineyards, beautiful with fragrant blossom, point to her covenant of love; and the foxes, the little foxes, which might destroy these united vineyards, point to all the great and little enemies and adverse circumstances which threaten to gnaw and destroy love in the blossom, ere it has reached the ripeness of full enjoyment. שׁעלים comprehends both foxes and jackals, which "destroy or injure the vineyards; because, by their holes and passages which they form in the ground, loosening the soil, so that the growth and prosperity of the vine suffers injury" (Hitzig). This word is from שׁעל (R. של), to go down, or into the depth.