Song of Solomon 1:16

1:9-17 The Bridegroom gives high praises of his spouse. In the sight of Christ believers are the excellent of the earth, fitted to be instruments for promoting his glory. The spiritual gifts and graces which Christ bestows on every true believer, are described by the ornaments then in use, ver. 10,11. The graces of the saints are many, but there is dependence upon each other. He who is the Author, will be the Finisher of the good work. The grace received from Christ's fulness, springs forth into lively exercises of faith, affection, and gratitude. Yet Christ, not his gifts, is most precious to them. The word translated camphire, signifies atonement or propitiation. Christ is dear to all believers, because he is the propitiation for their sins. No pretender must have his place in the soul. They resolved to lodge him in their hearts all the night; during the continuance of the troubles of life. Christ takes delight in the good work which his grace has wrought on the souls of believers. This should engage all who are made holy, to be very thankful for that grace which has made those fair, who by nature were deformed. The spouse (the believer) has a humble, modest eye, discovering simplicity and godly sincerity; eyes enlightened and guided by the Holy Spirit, that blessed Dove. The church expresses her value for Christ. Thou art the great Original, but I am but a faint and imperfect copy.

Many are fair to look at, yet their temper renders them unpleasant: but Christ is fair, yet pleasant. The believer, ver. 16, speaks with praise of those holy ordinances in which true believers have fellowship with Christ. Whether the believer is in the courts of the Lord, or in retirement; whether following his daily labours, or confined on the bed of sickness, or even in a dungeon, a sense of the Divine presence will turn the place into a paradise. Thus the soul, daily having fellowship with the Father, the Son, and the Holy Spirit, enjoys a lively hope of an incorruptible, undefiled, and unfading inheritance above.

Song of Solomon 1:16-17. Behold, thou art fair — The church here again speaks, and retorts Christ’s words; thou, and thou only, art fair indeed; yea, pleasant — As thou art beautiful in thyself, so thou art amiable and pleasant in thy condescension to me. Also, our bed — This seems to denote the place where the church enjoys sweet fellowship with Christ, by his Spirit accompanying his ordinances; is green — Is pleasant, as that colour to the eye. The beams of our house are cedar — Not only strong, but also fragrant and delightful; and our rafters of fir — Or, rather, as the ancients and others render ברותים , of cypress; which also was strong and fragrant, and therefore suits well with cedar.

Camphire - Rather, כפר kôpher," from which "cyprus" is probably derived (in the margin misspelled "cypress "),the name by which the plant called by the Arabs "henna" was known to the Greeks and Romans. It is still much esteemed throughout the East for the fragrance of its flowers and the dye extracted from its leaves. Engedi was famous for its vines, and the henna may have been cultivated with the vines in the same enclosures.

Behold, thou art fair, my beloved. The church here again speaks, and retorts Christ’s words upon himself: If I am fair, it is only by thy grace and favourable acceptation; thou, and thou only, art fair indeed, thy beauty is exquisite and perfect. Pleasant; as thou art beautiful in thyself, so thou art amiable and pleasant in thy condescension to me, and converse with me, in communicating thy blessed counsels, and graces, and comforts to me. Our bed ; either, 1. Upon which we sit at meat, as the manner then was, Esther 1:5,6 Eze 23:41 . Or rather, 2. Upon which we lie, our nuptial bed; for the union and communion between Christ and his church is here represented under the notion of marriage. And accordingly the bed seems to denote the place or places where the church enjoyeth sweet fellowship with Christ, by his Spirit accompanying his ordinances, and imparting his merits, and graces, and comforts to her. Is green; is pleasant, as that colour is to the eye; is prepared for us, being adorned with green garlands, or boughs and herbs, as the manner seems to have been with country brides, such as the spouse in this book is represented to be. Or, as others, both ancient and later interpreters, render it, is flourishing , i.e. fruitful. So it is a happy presage, that the church should not be barren, but bring forth many children to Christ; of which see Isaiah 54:1 , &c.

16. Reply of the Bride. She presumes to call Him beloved, because He called her so first. Thou callest me "fair"; if I am so, it is not in myself; it is all from Thee (Ps 90:17); but Thou art fair in Thyself (Ps 45:2). pleasant—(Pr 3:17) towards Thy friends (2Sa 1:26). bed … green—the couch of green grass on which the King and His bride sit to "rest at noon." Thus her prayer in So 1:7 is here granted; a green oasis in the desert, always found near waters in the East (Ps 23:2; Isa 41:17-19). The scene is a kiosk, or summer house. Historically, the literal resting of the Babe of Beth-lehem and his parents on the green grass provided for cattle (Lu 2:7, 12). In this verse there is an incidental allusion, in So 1:15, to the offering (Lu 2:24). So the "cedar and fir" ceiling refers to the temple (1Ki 5:6-10; 6:15-18); type of the heavenly temple (Re 21:22).

16 . our bed is green ] R.V. rightly, our couch . She recalls the green sward of the meadows, or possibly some leafy arbour where she had reclined with her beloved. Siegfried would understand the words of the marriage bed, sprinkled with sweet smelling substances; but that is incompatible with the following verse, and is moreover not supported by Psalm 92:10 , where the word translated ‘green’ here is rendered by ‘fresh,’ for in all probability it ought to be translated ‘green’ there also, since the best kind of olive oil is green. Cp. Riehm’s Hdwb . 11. p. 1123.

Verse 16-ch. 2:1. - Behold, thou art fair, my beloved, yea, pleasant; also our couch is green. The beams of our house are cedars, and our rafters are firs. I am a rose of Sharon, a lily of the valley. We take these three verses together as being, in all probability, the address of the bride to her royal husband. This was the view taken by the Masoretic editors and preserved in our present pointing of the Hebrew, as we see in the masculine form of the first word, הִגֶּך , which replies to the feminine form in ver. 15, הִגָּך . The seventeenth verse is apparently abrupt. Why should the bride pass so suddenly from the general address of affection, "Thou art fair, thou art pleasant," to a particular description of a rural scene? The explanation suggested by some of the critics is not farfetched, that Solomon whispers to her that she shall go back with him to her country life if she pleases, or she reminds him of his promise made at some other time. Undoubtedly the point of Shulamith's response lies in ch. 2:1, "I am not at ease in this palatial splendour; I am by nature a rose of Sharon, a lily of the valley. Take me to the green couch, and let me lie under the cedars and the firs." The couch is the divan (cf. Amos 6:4 ), from a root "to cover over" (like "canopy" in Greek, κωνωπεῖον , so called from its protecting the person under it from the κώνεπες , or "gnats).

It is not that the nuptial bed is particularly intended, or even the bridal bower, but the home itself as a bowery resting place. "Our home is a sweet country home; take me, there, beloved one." The word "green" is very suggestive in the Hebrew. It is said to "combine in itself the ideas of softness and juicy freshness, perhaps of bending and elasticity, of looseness and thus of overhanging ramification, like weeping willow." Beams , from a root "to meet," "to lay crosswise," "to hold together." But the meaning depends upon the idea of the whole description. Some would render "fretted ceilings," or "galleries;" but Dr. Ginsburg gives it, "our bower is of cedar arches," which excludes the idea of a formal structure made of cedar beams. The same meaning is conveyed in the last clause, "our rafters are firs." The word rendered "rafters" ( יָחִיט ) literally signifies "a place upon which one runs" (like שׁוּק , a "street"), i.e. a charming or pleasant spot. The beroth is the cypress tree, an Aramaic word, or one used in the north of Palestine. The meaning is, "our pleasant retreat is cypresses" - is beautiful and fragrant with the cypress tree. Delitzsch, however, and others would take it differently as describing the panels or hollows of a wainscoted ceiling, like φατναί , lacunae , lacunaria , and the LXX., φατνωμάτα : Symmachus, φατνωσεῖς : Jerome, laquearii (cf. Isaiah 60:13 ). But the concluding words would then be unfitting.