The song of the redeemed is a song concerning the fall of the king of Babel. Isaiah 14:3 , Isaiah 14:4 . Instead of the hiphil hinniach (to let down) of Isaiah 14:1 , we have here, as in the original passage, Deuteronomy 25:19 , the form hēniach, which is commonly used in the se...
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The song of the redeemed is a song concerning the fall of the king of Babel. Isaiah 14:3 , Isaiah 14:4 . Instead of the hiphil hinniach (to let down) of Isaiah 14:1 , we have here, as in the original passage, Deuteronomy 25:19 , the form hēniach, which is commonly used in the sense of quieting, or procuring rest. עצב is trouble which plagues (as עמל is trouble which oppresses), and rōgez restlessness which wears out with anxious care ( Job 3:26 , cf., Ezekiel 12:18 ). The assimilated min before the two words is pronounced mĭ, with a weak reduplication, instead of mē, as elsewhere, before ח, ה, and even before ר ( 1 Samuel 23:28 ; 2 Samuel 18:16 ). In the relative clause עבּד־בך אשר, אשר is not the Hebrew casus adverb. answering to the Latin ablative qu servo te usi sunt; not do בך ... אשר belong to one another in the sense of quo, as in Deuteronomy 21:3 , qu (vitul); but it is regarded as an acc. obj. according to Exodus 1:14 and Leviticus 25:39 , qu'on t'a fait servir, as in Numbers 32:5 , qu'on donne la terre (Luzzatto). When delivered from such a yoke of bondage, Israel would raise a mâshâl. According to its primary and general meaning, mâshâl signifies figurative language, and hence poetry generally, more especially that kind of proverbial poetry which loves the emblematical, and, in fact, any artistic composition that is piquant in its character; so that the idea of what is satirical or defiant may easily be associated with it, as in the passage before us.