Verse 29. - And he carved all the walls of the house round about with carved figures of cherubims [lit. openings, i.e. , gravings or indentations of cherubim, פִּתּוּחִים is used of gravings in stone, Exodus 28:11 ; Exodus 39:6 : in metal, 28:36; 39:30] and palm trees and open fl...
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Verse 29. - And he carved all the walls of the house round about with carved figures of cherubims [lit. openings, i.e. , gravings or indentations of cherubim, פִּתּוּחִים is used of gravings in stone, Exodus 28:11 ; Exodus 39:6 : in metal, 28:36; 39:30] and palm trees and open flowers [The open flowers may well have been lilies ( 1 Kings 7:19, 22, 26 ). It is uncertain whether there were one or more rows of cherubim and palms. Keil, arguing from the analogy of Egyptian temples, contends for two or three rows, but it is doubtful how far the Israelites, notwithstanding their new and intimate relations with the country, would take Egypt and its idolatrous shrines for a model. Ezekiel 41:18 tends to show that the palm trees alternated with the cherubs. The cherubim may have had two faces, such as he describes (ver. 19), the face of a man on the one side, and the face of a young lion on the other side; but if so, they must have differed in form from those of the oracle. Possibly the open flowers formed a border, or were sculptured in festoons, above, and the gourds (or buds) formed a border below (as in the Kouyunjik slab). But as to this the text is silent. But while we are ignorant of the precise form and of the arrangement of these ornamental carvings, we are not wholly in the dark as to their symbolism. For everything in the temple, we may be sure, had a meaning. Let us inquire, then, into the significance of the cherubim, the palms and the flowers. 1.